Lucinda Burgess

The improbability of repetition
Lucinda Burgess
Redwood, 2013
Charred redwood, aluminium
1.5 x 210 x 70 cm
The use of repetition also highlights the real fact that ultimately,
there is no such thing as repetition.
Lucinda Burgess
Variations on a Theme in Red, 2019
Newlyn Art Gallery, Cornwall, Spring 2019
Lucinda Burgess
Difference II, 2014 - 2020
Mild steel, rusting and polished
9 x 300 x 16 cm
I’m interested in the disparity between the fluid ever changing ‘reality’
and the inability of language and representation to describe
that reality of flux and infinite variability.